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his emotions

  • 1 his

    ",-ssi 1. (a) feeling; (an) emotion. 2. sensation, feeling. 3. a sense (one of the five senses). -lerine kapılmak to be ruled by one´s emotions. -ini vermek to give the impression that."

    Saja Türkçe - İngilizce Sözlük > his

  • 2 sentimiento

    m.
    1 feeling.
    sentimiento de culpabilidad/pena feeling of guilt/sorrow
    le acompaño en el sentimiento my deepest sympathy
    2 sorrow, regret.
    * * *
    1 (gen) feeling
    2 (pena) sorrow, grief
    \
    le acompaño en el sentimiento my deepest sympathy
    * * *
    noun m.
    1) sentiment, emotion, feeling
    2) sorrow, grief
    * * *
    SM
    1) (=emoción) feeling

    sentimiento de culpa — feeling of guilt, guilty feeling

    2) (=pena) sorrow
    3) pl sentimientos (=forma de sentir) feelings

    ¿le has revelado ya tus sentimientos? — have you told her how you feel?

    * * *
    1)
    a) ( emoción) feeling
    b) ( pasión)
    c) ( pesar)

    te/les acompaño en el sentimiento — my commiserations

    2) sentimientos masculino plural
    a) ( amor)
    b) ( sensibilidad) feelings (pl)
    * * *
    = feeling, sense, sentiment.
    Ex. The idea is for volunteers who think reading is fun and important to convey these feelings to younger students.
    Ex. This sense of practical issues unconfronted led to a proposal for a different approach to the curriculum debate.
    Ex. The song may have been forgotten but among library users the sentiment lingers on = Puede que la canción se haya olvidado pero entre los usuarios de bibliotecas el sentimiento perdura.
    ----
    * albergar un sentimiento = harbour + feeling.
    * con gran sentimiento = earnestly.
    * con sentimientos = sentient.
    * consumir a uno un sentimiento de + Nombre = be consumed by + a feeling of + Nombre.
    * con un profundo sentimiento de culpa = guilt-ridden.
    * demostrar los sentimientos de Uno = show + Posesivo + feelings.
    * demostrar los sentimientos de Uno = wear + Posesivo + heart on + Posesivo + sleeve.
    * despertar un sentimiento de = stir + a sense of.
    * expresar los sentimientos = release + feelings.
    * expresar los sentimientos con palabras = put + Posesivo + feelings into words.
    * expresar sentimientos = echo + sentiments.
    * exteriorizar los sentimientos = wear + Posesivo + heart on + Posesivo + sleeve, show + Posesivo + feelings.
    * falto de sentimientos = unsentimental.
    * hacer aflorar sentimientos de antagonismo = bring to + the surface + feelings of antagonism.
    * herir + Posesivo + sentimientos = hurt + Posesivo + feelings.
    * mostrar los sentimientos de Uno = wear + Posesivo + heart on + Posesivo + sleeve, show + Posesivo + feelings.
    * ocultar los sentimientos de Uno = bury + Posesivo + feelings.
    * sentimiento de culpa = guilt.
    * sentimiento de culpabilidad = guilty conscience, twinge of guilt.
    * sentimiento de grupo = togetherness.
    * sentimiento de identidad = sense of identity.
    * sentimiento del colectivo = ethos.
    * sentimiento de pertenecer a un lugar = sense of belonging.
    * sentimiento general = groundswell.
    * sentimiento humano = human feeling.
    * sentimiento interno = inner feeling.
    * sentimiento público = public feelings.
    * sentimientos = vibes.
    * sentimientos negativos = grinding of teeth.
    * tener un sentimiento de = feel + a sense of.
    * un fuerte sentimiento de = a strong sense of.
    * * *
    1)
    a) ( emoción) feeling
    b) ( pasión)
    c) ( pesar)

    te/les acompaño en el sentimiento — my commiserations

    2) sentimientos masculino plural
    a) ( amor)
    b) ( sensibilidad) feelings (pl)
    * * *
    = feeling, sense, sentiment.

    Ex: The idea is for volunteers who think reading is fun and important to convey these feelings to younger students.

    Ex: This sense of practical issues unconfronted led to a proposal for a different approach to the curriculum debate.
    Ex: The song may have been forgotten but among library users the sentiment lingers on = Puede que la canción se haya olvidado pero entre los usuarios de bibliotecas el sentimiento perdura.
    * albergar un sentimiento = harbour + feeling.
    * con gran sentimiento = earnestly.
    * con sentimientos = sentient.
    * consumir a uno un sentimiento de + Nombre = be consumed by + a feeling of + Nombre.
    * con un profundo sentimiento de culpa = guilt-ridden.
    * demostrar los sentimientos de Uno = show + Posesivo + feelings.
    * demostrar los sentimientos de Uno = wear + Posesivo + heart on + Posesivo + sleeve.
    * despertar un sentimiento de = stir + a sense of.
    * expresar los sentimientos = release + feelings.
    * expresar los sentimientos con palabras = put + Posesivo + feelings into words.
    * expresar sentimientos = echo + sentiments.
    * exteriorizar los sentimientos = wear + Posesivo + heart on + Posesivo + sleeve, show + Posesivo + feelings.
    * falto de sentimientos = unsentimental.
    * hacer aflorar sentimientos de antagonismo = bring to + the surface + feelings of antagonism.
    * herir + Posesivo + sentimientos = hurt + Posesivo + feelings.
    * mostrar los sentimientos de Uno = wear + Posesivo + heart on + Posesivo + sleeve, show + Posesivo + feelings.
    * ocultar los sentimientos de Uno = bury + Posesivo + feelings.
    * sentimiento de culpa = guilt.
    * sentimiento de culpabilidad = guilty conscience, twinge of guilt.
    * sentimiento de grupo = togetherness.
    * sentimiento de identidad = sense of identity.
    * sentimiento del colectivo = ethos.
    * sentimiento de pertenecer a un lugar = sense of belonging.
    * sentimiento general = groundswell.
    * sentimiento humano = human feeling.
    * sentimiento interno = inner feeling.
    * sentimiento público = public feelings.
    * sentimientos = vibes.
    * sentimientos negativos = grinding of teeth.
    * tener un sentimiento de = feel + a sense of.
    * un fuerte sentimiento de = a strong sense of.

    * * *
    A
    1 (emoción) feeling
    es una persona de muy buenos sentimientos she's a very feeling o caring person
    2
    (pasión): no tiene sentimientos he has no feelings
    no se deja llevar por los sentimientos she doesn't let herself get carried away by her emotions, she doesn't let her emotions get the better of her
    toca la guitarra/canta con mucho sentimiento he plays the guitar/sings with a lot of feeling
    3
    (pesar): te/les acompaño en el sentimiento my commiserations
    Compuesto:
    sentimiento de culpa or culpabilidad
    feeling of guilt
    1
    (amor): no se atrevía a declararle sus sentimientos he did not dare to declare his feelings to her
    me parece muy mal que juegues con sus sentimientos I think its very wrong of you to play with his emotions o feelings
    2 (sensibilidad) feelings (pl)
    aquellas palabras hirieron sus sentimientos those words hurt his feelings
    * * *

     

    sentimiento sustantivo masculino
    1


    no se deja llevar por los sentimientos she doesn't let herself get carried away by her emotions
    b) ( pesar):


    2
    ◊ sentimientos sustantivo masculino plural

    feelings (pl);
    herir los sentimientos de algn to hurt sb's feelings
    sentimiento sustantivo masculino
    1 feeling
    2 (pena, aflicción) grief, sorrow
    ♦ Locuciones: (esp en un velatorio/entierro) le acompaño en el sentimiento, may I express my deepest sympathy
    ' sentimiento' also found in these entries:
    Spanish:
    abrigar
    - acompañar
    - adueñarse
    - alimentar
    - atizar
    - dar
    - despertar
    - disimulada
    - disimulado
    - emoción
    - entregarse
    - exportar
    - honda
    - hondo
    - inconfesable
    - indomable
    - manifestar
    - perdurable
    - profunda
    - profundo
    - razón
    - reprimir
    - rescoldo
    - retener
    - reverencia
    - revivir
    - sentir
    - sobreponerse
    - sofocar
    - soterrar
    - vacía
    - vacío
    - veneno
    - visceral
    - viva
    - vivo
    - abrazar
    - abrazo
    - amor
    - confesar
    - crecer
    - demostrar
    - disfrazar
    - herido
    - hermanar
    - intensidad
    - intenso
    - perdurar
    - simpatía
    - simular
    English:
    annoyance
    - attraction
    - aversion
    - bitter
    - commiserate
    - condolences
    - exude
    - feeling
    - hatred
    - lingering
    - maternal
    - mutual
    - nurture
    - obscure
    - outrage
    - paternal
    - persist
    - prevail
    - return
    - sentiment
    - show
    - soulfully
    - stand-offishness
    - suspicious
    - sympathy
    - unspoken
    - vicarious
    - wholehearted
    - emotion
    * * *
    1. [estado afectivo] feeling;
    sentimiento de culpabilidad/soledad feeling of guilt/loneliness;
    dile que la acompaño en el sentimiento please give her my condolences
    2.
    sentimientos [parte afectiva de persona] feelings;
    ¡no tienes sentimientos! you have no feelings!;
    es una persona de buenos sentimientos he's a kind-hearted person;
    no juegues con los sentimientos de otros don't play with other people's emotions o feelings
    3. [sentido] sense;
    lo hizo por un sentimiento del deber she did it out of a sense of duty
    4. [amor]
    nunca le contó sus sentimientos he never declared his feelings to her
    * * *
    m feeling;
    * * *
    1) : feeling, emotion
    2) pesar: regret, sorrow
    * * *
    sentimiento n feeling

    Spanish-English dictionary > sentimiento

  • 3 emotie

    ♦voorbeelden:
    1   hij werd door zijn emoties overmand • his emotions got the better of him
         de emoties liepen hoog op • emotions were running high
         emoties losmaken • release emotions
         hij liet zich meeslepen door zijn emoties • he let his emotions run away with him
         ze stond te trillen van emotie • she was shaking with emotion
         zij liet haar emoties de vrije loop • she let herself go

    Van Dale Handwoordenboek Nederlands-Engels > emotie

  • 4 emoción

    f.
    emotion, feeling, thrill, excitement.
    * * *
    1 (sentimiento) emotion, feeling
    2 (excitación) excitement
    \
    ¡qué emoción! how exciting!
    * * *
    noun f.
    emotion, excitement
    * * *
    SF
    1) (=sentimiento) emotion
    2) (=excitación) excitement

    ¡qué emoción! — (lit) how exciting!; iró big deal!

    la emoción de la película no disminuye — the excitement o tension of the film does not flag

    * * *
    femenino ( sentimiento) emotion; (expectación, excitación) excitement
    * * *
    = emotion, excitement, poignancy, thrill, titillation, exhilaration.
    Ex. Puberty, he describes as 'dreamy and sentimental' and though this may seem a far cry from the teenagers we would recognize that adolescence brings an awakening of emotions, idealism and commitment to a romantic ideal.
    Ex. If done effectively, displays can add interest and even excitement to the process of information discovery.
    Ex. Death becomes the character's hugged secret in what is a movie infused with silence and poignancy.
    Ex. She felt a small thrill of triumph.
    Ex. At heart, it is a smirkingly adolescent pursuit of cheap laughs and mild titillation, with a surfeit of jokes involving breasts and bums and with new extremes of scatological humiliation.
    Ex. The performance nevertheless falls flat due to the singers' failure to create true exhilaration.
    ----
    * acallar una emoción = bruise + emotion.
    * despertar las emociones = stir + emotions.
    * estremecerse de emoción = tremble with + excitement.
    * haber un aire de emoción = there + be + an air of excitement.
    * hacer llorar de emoción = move + Nombre + to tears.
    * infundir emoción = infuse + emotion.
    * no sucumbir ante las emociones = keep + a stiff upper lip.
    * respirarse emoción en el aire = there + be + an air of excitement.
    * sentir una emoción = feel + emotion.
    * * *
    femenino ( sentimiento) emotion; (expectación, excitación) excitement
    * * *
    = emotion, excitement, poignancy, thrill, titillation, exhilaration.

    Ex: Puberty, he describes as 'dreamy and sentimental' and though this may seem a far cry from the teenagers we would recognize that adolescence brings an awakening of emotions, idealism and commitment to a romantic ideal.

    Ex: If done effectively, displays can add interest and even excitement to the process of information discovery.
    Ex: Death becomes the character's hugged secret in what is a movie infused with silence and poignancy.
    Ex: She felt a small thrill of triumph.
    Ex: At heart, it is a smirkingly adolescent pursuit of cheap laughs and mild titillation, with a surfeit of jokes involving breasts and bums and with new extremes of scatological humiliation.
    Ex: The performance nevertheless falls flat due to the singers' failure to create true exhilaration.
    * acallar una emoción = bruise + emotion.
    * despertar las emociones = stir + emotions.
    * estremecerse de emoción = tremble with + excitement.
    * haber un aire de emoción = there + be + an air of excitement.
    * hacer llorar de emoción = move + Nombre + to tears.
    * infundir emoción = infuse + emotion.
    * no sucumbir ante las emociones = keep + a stiff upper lip.
    * respirarse emoción en el aire = there + be + an air of excitement.
    * sentir una emoción = feel + emotion.

    * * *
    1 (sentimiento) emotion
    no deja traslucir sus emociones he doesn't let his emotions o feelings show
    2 (expectación, excitación) excitement
    ¡qué emoción! how exciting!
    * * *

    emoción sustantivo femenino ( sentimiento) emotion;
    (expectación, excitación) excitement;
    ◊ ¡qué emoción! how exciting!

    emoción sustantivo femenino
    1 (sentimiento) emotion
    2 (nerviosismo, expectación) excitement: con la emoción me olvidé de llamarte, I was so excited that I forgot to call you

    ' emoción' also found in these entries:
    Spanish:
    conmoción
    - embargar
    - emocionar
    - impresión
    - nudo
    - sacudir
    - sensación
    - temblar
    - vibrar
    - entrecortado
    - intenso
    - llorar
    - reflejar
    - sentimiento
    - sentir
    - sorpresa
    - uy
    - viveza
    English:
    break
    - control
    - cover up
    - curb
    - dam up
    - damp
    - deep
    - deepen
    - depth
    - dormant
    - emotion
    - emotionalism
    - excitement
    - exhibit
    - feel
    - force back
    - great
    - joy
    - outburst
    - overcome
    - overpower
    - overwhelm
    - pass
    - pass off
    - possess
    - powerful
    - profess
    - sham
    - shame
    - sharpen
    - shock
    - show
    - sniff
    - stir
    - strength
    - strong
    - subdue
    - suppress
    - thrill
    - violent
    - wave
    - wrench
    - flurry
    - move
    * * *
    1. [conmoción, sentimiento] emotion;
    la emoción le impedía hablar he was so emotional he could hardly speak;
    temblaba de emoción he was trembling with emotion;
    lloraba de emoción he was moved to tears
    2. [expectación] excitement;
    ¡qué emoción! how exciting!;
    seguían el partido con emoción they followed the game with excitement
    * * *
    f emotion;
    ¡qué emoción! how exciting!
    * * *
    emoción nf, pl - ciones : emotion
    ♦ emocional adj
    * * *
    1. (sentimiento) emotion
    2. (pasión) excitement
    ¡qué emoción! how exciting!

    Spanish-English dictionary > emoción

  • 5 Leidenschaft

    f passion; (heftiges Gefühl) (powerful) emotion; (intensive Begeisterung) ardo(u)r; (Hingabe) zeal, fervo(u)r; von einer heftigen Leidenschaft für jemanden oder zu jemandem ergriffen werden be consumed with a passion ( oder passionate love) for s.o.; mit Leidenschaft sprechen / verteidigen etc. speak / defend etc. passionately; Angeln ist seine Leidenschaft he’s a passionate angler; Musik ist seine Leidenschaft music is his passion; aktiv: auch he’s a passionate musician; er ist der Spielball seiner Leidenschaften he is governed by his emotions; Nörgeln ist bei ihr eine Leidenschaft complaining is her favo(u)rite pastime, complaining is a fine art with her; ein Gärtner aus Leidenschaft sein be a really devoted gardener, really love one’s garden
    * * *
    die Leidenschaft
    ardour; passion; ardor; enthusiasm; ferventness; fervidness; lust
    * * *
    Lei|den|schaft ['laidnʃaft]
    f -, -en
    passion

    seine Léídenschaft für etw entdecken — to develop a passion for sth

    etw mit Léídenschaft tun — to do sth with passionate enthusiasm

    ich koche mit großer Léídenschaft — cooking is a great passion of mine

    er ist Lehrer aus Léídenschaft — he teaches for the love of it

    * * *
    (very strong feeling, especially of anger or love: He argued with great passion; He has a passion for chocolate.) passion
    * * *
    Lei·den·schaft
    <-, -en>
    [ˈlaidn̩ʃaft]
    f
    1. (Emotion) emotion
    2. (intensive Vorliebe)
    ▪ eine/jds \Leidenschaft für jdn/etw a/sb's passion for sb/sth
    jd ist etw aus \Leidenschaft sb is passionate about being sth
    ich bin Briefmarkensammler aus \Leidenschaft I'm a passionate stamp collector
    mit [großer/wahrer] \Leidenschaft passionately
    3. kein pl (starke Zuneigung) passion
    sie spürte seine \Leidenschaft she felt his passion
    * * *
    die; Leidenschaft, Leidenschaften passion

    mit Leidenschaft — fervently; passionately

    * * *
    Leidenschaft f passion; (heftiges Gefühl) (powerful) emotion; (intensive Begeisterung) ardo(u)r; (Hingabe) zeal, fervo(u)r;
    zu jemandem ergriffen werden be consumed with a passion ( oder passionate love) for sb;
    mit Leidenschaft sprechen/verteidigen etc speak/defend etc passionately;
    Musik ist seine Leidenschaft music is his passion; aktiv: auch he’s a passionate musician;
    er ist der Spielball seiner Leidenschaften he is governed by his emotions;
    Nörgeln ist bei ihr eine Leidenschaft complaining is her favo(u)rite pastime, complaining is a fine art with her;
    ein Gärtner aus Leidenschaft sein be a really devoted gardener, really love one’s garden
    * * *
    die; Leidenschaft, Leidenschaften passion

    mit Leidenschaft — fervently; passionately

    * * *
    f.
    fervor n.
    passion n.

    Deutsch-Englisch Wörterbuch > Leidenschaft

  • 6 uczu|cie

    Ⅰ sv ⇒ uczuć Ⅱ n sgt 1. (stan psychiczny) emotion, feeling
    - nie chce mówić o swoich uczuciach he won’t talk about his emotions a. feelings
    - skrywać/okazywać swoje uczucia to hide/show one’s feelings
    - ubrać swoje uczucia w słowa to put one’s feelings into words
    - zranić czyjeś uczucia to hurt sb’s feelings
    - uczucie osaczenia a feeling of being trapped
    - uczucie żalu a feeling of regret
    - przemawiać do uczuć to appeal to sentiment
    - to człowiek zimny, wyprany a. wyzuty z (wszelkich) uczuć he’s a cold, unfeeling man
    - apelować do czyichś uczuć to appeal to sb’s good nature
    - brakuje mu ludzkich uczuć he lacks humanity
    - obrazić czyjeś uczucia religijne to offend sb’s religious sensibilities
    2. (miłość, przywiązanie, sympatia) affection
    - darzyła go głębokim uczuciem she had a deep affection for him
    - ochłódł w uczuciach his affections cooled
    - pozbawione uczucia małżeństwo a loveless marriage
    - pozbawiona uczucia erotyka loveless eroticism
    3. pot. (przejęcie, zapał) feeling
    - z uczuciem [deklamować, grać, mówić] with feeling a. passion, emotionally
    - uczucie swędzenia an itchy/a prickly feeling
    - uczucie bólu/głodu/mdłości a feeling of pain/hunger/nausea
    - uczucie pieczenia w gardle a burning sensation in one’s throat
    - miałam nieprzyjemne uczucie, że za chwilę wydarzy się coś złego I had an unpleasant feeling that something bad was going to happen any minute
    - uczucie, że ktoś (kogoś) obserwuje a feeling of being watched
    - □ uczucia elementarne Psych. elementary emotions
    - uczucie steniczne Psych. sthenic emotion
    ■ targają nim/nią sprzeczne uczucia książk. he’s/she’s torn by conflicting emotions
    - mieć mieszane uczucia (w stosunku do czegoś) to have mixed feelings (about sth), to be ambivalent (about sth)

    The New English-Polish, Polish-English Kościuszko foundation dictionary > uczu|cie

  • 7 У-58

    ДЕРЖАТЬ СЕБЙ В УЗДЁ coll VP subj: human to refrain from emotional outbursts, control o.s.: X держит себя в узде - X keeps himself in check X restrains himself X keeps a tight rein on himself (his emotions) X keeps a (tight) lid on his emotions.
    Однажды в Ташкенте она (Ахматова) мне призналась, что в молодости была очень трудной - раздражительной, капризной... не знала удержу, спешила жить и ни с чем не считалась. Тогда её слова показались мне неправдоподобными, а она сказала, что просто научилась обуздывать себя. В старости, когда прорвались основные черты характера, я поняла, как трудно было ей держать себя в узде (Мандельштам 2). She (Akhmatova) once confided to me in Tashkent that as a girl she had been quick-tempered, moody, and quite unrestrained, stopping at nothing in her impatience to make the most of life. At the time I found this incredible, even when she explained that she had later learned to control herself. But in her old age, when the basic features of her character broke to the surface again, I could see how hard it was for her to keep herself in check (2a).

    Большой русско-английский фразеологический словарь > У-58

  • 8 держать себя в узде

    [VP; subj: human]
    =====
    ⇒ to refrain from emotional outbursts, control o.s.:
    - X держит себя в узде≈ X keeps himself in check;
    - X keeps a tight rein on himself < his emotions>;
    - X keeps a (tight) lid on his emotions.
         ♦ Однажды в Ташкенте она [Ахматова] мне призналась, что в молодости была очень трудной - раздражительной, капризной... не знала удержу, спешила жить и ни с чем не считалась. Тогда её слова показались мне неправдоподобными, а она сказала, что просто научилась обуздывать себя. В старости, когда прорвались основные черты характера, я поняла, как трудно было ей держать себя в узде (Мандельштам 2). She [Akhmatova] once confided to me in Tashkent that as a girl she had been quick-tempered, moody, and quite unrestrained, stopping at nothing in her impatience to make the most of life. At the time I found this incredible, even when she explained that she had later learned to control herself. But in her old age, when the basic features of her character broke to the surface again, I could see how hard it was for her to keep herself in check (2a).

    Большой русско-английский фразеологический словарь > держать себя в узде

  • 9 hij werd door zijn emoties overmand

    hij werd door zijn emoties overmand
    ————————
    hij werd door zijn emoties overmand

    Van Dale Handwoordenboek Nederlands-Engels > hij werd door zijn emoties overmand

  • 10 Creativity

       Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)
       Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)
       There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)
       he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)
       he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)
       From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)
       Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)
       The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)
       In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)
       he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)
        11) The Earliest Stages in the Creative Process Involve a Commerce with Disorder
       Even to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)
       New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)
       [P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....
       Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)
       A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....
       Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)

    Historical dictionary of quotations in cognitive science > Creativity

  • 11 manifestare

    1. v/t ( esprimere) express
    ( mostrare) show, demonstrate
    2. v/i demonstrate
    * * *
    manifestare v.tr. to express, to show*, to manifest, to display; (rivelare) to reveal: manifesta sempre le sue emozioni, he always shows his emotions; manifestò un gran dispiacere nel separarsi da lui, she evinced (o displayed) great sorrow at parting from him; il suo sguardo manifestava profonda tristezza, his eyes revealed his deep sadness; manifestò la sua gioia, he expressed (o showed) his joy; manifestò il desiderio di sposarlo, she expressed her desire to marry him; manifestare il proprio proposito, to express one's purpose; manifestare un segreto, to reveal a secret
    ◆ v. intr. (partecipare a una manifestazione) to demonstrate: i lavoratori manifestavano contro i licenziamenti, workers were demonstrating against dismissals.
    ◘ manifestarsi v.rifl. o intr.pron. to manifest oneself, to show* (oneself); (rivelarsi) to reveal oneself: viaggiava in incognito e non volle manifestare, he was travelling incognito and did not want to make himself known; si manifestò amico, he showed (o revealed) he was a friend; il suo talento non ebbe tempo di manifestare, his talent had no time to reveal itself; la sua impazienza si manifestava nel suo comportamento, his impatience showed (itself) in his behaviour.
    * * *
    [manifes'tare]
    1. vt
    (gen) to show, display, (opinioni, intenzioni) to reveal, disclose

    manifestare il desiderio di fare qc — to express a desire to do sth, indicate one's wish to do sth

    2. vi
    (aus avere)

    manifestare contro/a favore di — to demonstrate against/in favour of

    manifestarsi amico/nemico — to prove to be a friend/an enemy

    (sintomi, malattia) to appear
    * * *
    [manifes'tare] 1.
    verbo transitivo
    1) (esprimere) to show*, to demonstrate [sostegno, opposizione]; to show* [ sentimento]; to display [ disprezzo]; to manifest, to express, to show* [ gioia]; to state [ opinione]
    2) (rivelare) to reveal
    2.
    verbo intransitivo (aus. avere) to demonstrate
    3.
    verbo pronominale manifestarsi
    1) (mostrarsi) [ sintomo] to manifest itself; [paura, malattia] to show* itself
    2) (apparire) [ fenomeno] to appear
    * * *
    manifestare
    /manifes'tare/ [1]
     1 (esprimere) to show*, to demonstrate [sostegno, opposizione]; to show* [ sentimento]; to display [ disprezzo]; to manifest, to express, to show* [ gioia]; to state [ opinione]; manifestare il proprio desiderio di fare to signal one's desire to do
     2 (rivelare) to reveal
     (aus. avere) to demonstrate
    III manifestarsi verbo pronominale
     1 (mostrarsi) [ sintomo] to manifest itself; [paura, malattia] to show* itself
     2 (apparire) [ fenomeno] to appear.

    Dizionario Italiano-Inglese > manifestare

  • 12 hâkim

    "1. ruling, dominating. 2. dominant, supreme. 3. biol. dominant. 4. /a/ (one) who can control, who has discipline over (his emotions, actions, etc.). 5. /a/ overlooking, commanding a view of. 6. judge; justice. 7. ruler. -ler heyeti bench, bench of judges. - kılmak /ı, a/ to make (someone, something) dominant (over). - olmak /a/ 1. to rule, rule over. 2. to dominate, predominate, have a commanding influence over. 3. to control, have discipline over (one´s emotions, actions, etc.). 4. to overlook, command a view of. -in reddi recusation, rejection of a judge."

    Saja Türkçe - İngilizce Sözlük > hâkim

  • 13 Б-209

    (И) БРОВЬЮ (ГЛАЗОМ, УХОМ, НОСОМ, УСОМ) НЕ ВЕДЁТ/НЕ ПОВЁЛ (И) БРОВЬЮ НЕ ШЕВЕЛЬНУЛ all coll VP subj: human more often pfv past usu. this WO s.o. does not outwardly react to sth., does not display his emotions toward sth. said or done in his presence
    X и бровью не повёл - X didn't bat (blink) an eye (an eyelid)
    X didn't turn a hair X didn't raise an eyebrow (in limited contexts) X didn't (even) seem to hear X didn't show a flicker of interest.
    «Покажи тебе самую что ни есть раскрасавицу - ты даже глазом не поведешь. Потому что биотоки отрицательные подключат» (Айтматов 2). "You could be shown the most ravishing creature you've ever set eyes on and you'll not even bat an eyelid. This will be because the bio-currents will cut out this feeling" (2a).
    «Борода-то у вас настоящая?» - спросила Таня. «Можете дёрнуть», - улыбнулся Востоков. Она с удовольствием дёрнула. Востоков даже и глазом не повёл (Аксёнов 7). "Is your beard real?" "You may pull it, if you like," Vostokov said, smiling. She gave it a good, stiff tug. Vostokov did not blink an eye (7a).
    Привьет (used in place of the correct form привет to show a German accent), Марья Николаевна!» - огибая её, почтительно поклонился Штабель... Та и ухом не повела, продолжая одной ей ведомый разговор с самой собою (Максимов 3). Stabel bowed and spoke as he went around her. "How do you do, Maria Nikolaevna?..." She didn't turn a hair but continued her private conversation with herself (3a).
    Ардабьев вскочил с песка и вдруг закричал на весь берег, торжествующе размахивая руками: «Ар-да-би-о-ла!»... А рыбак с безнадёжной удочкой и ухом не повёл (Евтушенко 1). Ardabiev leapt up from the sand and suddenly shouted out to all the canalside, triumphantly waving his arms: "Ar-da-bio-la!"...But the fisherman with his despondent fishing-rod did not even seem to hear (1a).

    Большой русско-английский фразеологический словарь > Б-209

  • 14 бровью не ведет

    • (И) БРОВЬЮ <ГЛАЗОМ, УХОМ, НОСОМ, УСОМ> НЕ ВЕДЕТ/НЕ ПОВЕЛ; (И) БРОВЬЮ НЕ ШЕВЕЛЬНУЛall coll
    [VP; subj: human; more often pfv past; usu. this WO]
    =====
    ⇒ s.o. does not outwardly react to sth., does not display his emotions toward sth. said or done in his presence:
    - X и бровью не повёл≈ X didn't bat < blink> an eye < an eyelid>;
    - [in limited contexts] X didn't (even) seem to hear;
    - X didn't show a flicker of interest.
         ♦ "Покажи тебе самую что ни есть раскрасавицу - ты даже глазом не поведешь. Потому что биотоки отрицательные подключат" (Айтматов 2). "You could be shown the most ravishing creature you've ever set eyes on and you'll not even bat an eyelid. This will be because the bio-currents will cut out this feeling" (2a).
         ♦ "Борода-то у вас настоящая?" - спросила Таня. "Можете дёрнуть", - улыбнулся Востоков. Она с удовольствием дёрнула. Востоков даже и глазом не повёл (Аксёнов 7). "Is your beard real?" "You may pull it, if you like," Vostokov said, smiling. She gave it a good, stiff tug. Vostokov did not blink an eye (7a).
         ♦ "Привьет [used in place of the correct form привет to show a German accent], Марья Николаевна!" - огибая её, почтительно поклонился Штабель... Та и ухом не повела, продолжая одной ей ведомый разговор с самой собою (Максимов 3). Stabel bowed and spoke as he went around her. "How do you do, Maria Nikolaevna?..." She didn't turn a hair but continued her private conversation with herself (3a).
         ♦ Ардабьев вскочил с песка и вдруг закричал на весь берег, торжествующе размахивая руками: "Ар-да-би-о-ла!"... А рыбак с безнадёжной удочкой и ухом не повёл( Евтушенко 1). Ardabiev leapt up from the sand and suddenly shouted out to all the canalside, triumphantly waving his arms: "Ar-da-bio-la!"...But the fisherman with his despondent fishing-rod did not even seem to hear (1a).

    Большой русско-английский фразеологический словарь > бровью не ведет

  • 15 бровью не повел

    • (И) БРОВЬЮ <ГЛАЗОМ, УХОМ, НОСОМ, УСОМ> НЕ ВЕДЕТ/НЕ ПОВЕЛ; (И) БРОВЬЮ НЕ ШЕВЕЛЬНУЛall coll
    [VP; subj: human; more often pfv past; usu. this WO]
    =====
    ⇒ s.o. does not outwardly react to sth., does not display his emotions toward sth. said or done in his presence:
    - X и бровью не повёл≈ X didn't bat < blink> an eye < an eyelid>;
    - [in limited contexts] X didn't (even) seem to hear;
    - X didn't show a flicker of interest.
         ♦ "Покажи тебе самую что ни есть раскрасавицу - ты даже глазом не поведешь. Потому что биотоки отрицательные подключат" (Айтматов 2). "You could be shown the most ravishing creature you've ever set eyes on and you'll not even bat an eyelid. This will be because the bio-currents will cut out this feeling" (2a).
         ♦ "Борода-то у вас настоящая?" - спросила Таня. "Можете дёрнуть", - улыбнулся Востоков. Она с удовольствием дёрнула. Востоков даже и глазом не повёл (Аксёнов 7). "Is your beard real?" "You may pull it, if you like," Vostokov said, smiling. She gave it a good, stiff tug. Vostokov did not blink an eye (7a).
         ♦ "Привьет [used in place of the correct form привет to show a German accent], Марья Николаевна!" - огибая её, почтительно поклонился Штабель... Та и ухом не повела, продолжая одной ей ведомый разговор с самой собою (Максимов 3). Stabel bowed and spoke as he went around her. "How do you do, Maria Nikolaevna?..." She didn't turn a hair but continued her private conversation with herself (3a).
         ♦ Ардабьев вскочил с песка и вдруг закричал на весь берег, торжествующе размахивая руками: "Ар-да-би-о-ла!"... А рыбак с безнадёжной удочкой и ухом не повёл( Евтушенко 1). Ardabiev leapt up from the sand and suddenly shouted out to all the canalside, triumphantly waving his arms: "Ar-da-bio-la!"...But the fisherman with his despondent fishing-rod did not even seem to hear (1a).

    Большой русско-английский фразеологический словарь > бровью не повел

  • 16 бровью не шевельнул

    • (И) БРОВЬЮ <ГЛАЗОМ, УХОМ, НОСОМ, УСОМ> НЕ ВЕДЕТ/НЕ ПОВЕЛ; (И) БРОВЬЮ НЕ ШЕВЕЛЬНУЛall coll
    [VP; subj: human; more often pfv past; usu. this WO]
    =====
    ⇒ s.o. does not outwardly react to sth., does not display his emotions toward sth. said or done in his presence:
    - X и бровью не повёл≈ X didn't bat < blink> an eye < an eyelid>;
    - [in limited contexts] X didn't (even) seem to hear;
    - X didn't show a flicker of interest.
         ♦ "Покажи тебе самую что ни есть раскрасавицу - ты даже глазом не поведешь. Потому что биотоки отрицательные подключат" (Айтматов 2). "You could be shown the most ravishing creature you've ever set eyes on and you'll not even bat an eyelid. This will be because the bio-currents will cut out this feeling" (2a).
         ♦ "Борода-то у вас настоящая?" - спросила Таня. "Можете дёрнуть", - улыбнулся Востоков. Она с удовольствием дёрнула. Востоков даже и глазом не повёл (Аксёнов 7). "Is your beard real?" "You may pull it, if you like," Vostokov said, smiling. She gave it a good, stiff tug. Vostokov did not blink an eye (7a).
         ♦ "Привьет [used in place of the correct form привет to show a German accent], Марья Николаевна!" - огибая её, почтительно поклонился Штабель... Та и ухом не повела, продолжая одной ей ведомый разговор с самой собою (Максимов 3). Stabel bowed and spoke as he went around her. "How do you do, Maria Nikolaevna?..." She didn't turn a hair but continued her private conversation with herself (3a).
         ♦ Ардабьев вскочил с песка и вдруг закричал на весь берег, торжествующе размахивая руками: "Ар-да-би-о-ла!"... А рыбак с безнадёжной удочкой и ухом не повёл( Евтушенко 1). Ardabiev leapt up from the sand and suddenly shouted out to all the canalside, triumphantly waving his arms: "Ar-da-bio-la!"...But the fisherman with his despondent fishing-rod did not even seem to hear (1a).

    Большой русско-английский фразеологический словарь > бровью не шевельнул

  • 17 глазом не ведет

    • (И) БРОВЬЮ <ГЛАЗОМ, УХОМ, НОСОМ, УСОМ> НЕ ВЕДЕТ/НЕ ПОВЕЛ; (И) БРОВЬЮ НЕ ШЕВЕЛЬНУЛall coll
    [VP; subj: human; more often pfv past; usu. this WO]
    =====
    ⇒ s.o. does not outwardly react to sth., does not display his emotions toward sth. said or done in his presence:
    - X и бровью не повёл≈ X didn't bat < blink> an eye < an eyelid>;
    - [in limited contexts] X didn't (even) seem to hear;
    - X didn't show a flicker of interest.
         ♦ "Покажи тебе самую что ни есть раскрасавицу - ты даже глазом не поведешь. Потому что биотоки отрицательные подключат" (Айтматов 2). "You could be shown the most ravishing creature you've ever set eyes on and you'll not even bat an eyelid. This will be because the bio-currents will cut out this feeling" (2a).
         ♦ "Борода-то у вас настоящая?" - спросила Таня. "Можете дёрнуть", - улыбнулся Востоков. Она с удовольствием дёрнула. Востоков даже и глазом не повёл (Аксёнов 7). "Is your beard real?" "You may pull it, if you like," Vostokov said, smiling. She gave it a good, stiff tug. Vostokov did not blink an eye (7a).
         ♦ "Привьет [used in place of the correct form привет to show a German accent], Марья Николаевна!" - огибая её, почтительно поклонился Штабель... Та и ухом не повела, продолжая одной ей ведомый разговор с самой собою (Максимов 3). Stabel bowed and spoke as he went around her. "How do you do, Maria Nikolaevna?..." She didn't turn a hair but continued her private conversation with herself (3a).
         ♦ Ардабьев вскочил с песка и вдруг закричал на весь берег, торжествующе размахивая руками: "Ар-да-би-о-ла!"... А рыбак с безнадёжной удочкой и ухом не повёл( Евтушенко 1). Ardabiev leapt up from the sand and suddenly shouted out to all the canalside, triumphantly waving his arms: "Ar-da-bio-la!"...But the fisherman with his despondent fishing-rod did not even seem to hear (1a).

    Большой русско-английский фразеологический словарь > глазом не ведет

  • 18 глазом не повел

    • (И) БРОВЬЮ <ГЛАЗОМ, УХОМ, НОСОМ, УСОМ> НЕ ВЕДЕТ/НЕ ПОВЕЛ; (И) БРОВЬЮ НЕ ШЕВЕЛЬНУЛall coll
    [VP; subj: human; more often pfv past; usu. this WO]
    =====
    ⇒ s.o. does not outwardly react to sth., does not display his emotions toward sth. said or done in his presence:
    - X и бровью не повёл≈ X didn't bat < blink> an eye < an eyelid>;
    - [in limited contexts] X didn't (even) seem to hear;
    - X didn't show a flicker of interest.
         ♦ "Покажи тебе самую что ни есть раскрасавицу - ты даже глазом не поведешь. Потому что биотоки отрицательные подключат" (Айтматов 2). "You could be shown the most ravishing creature you've ever set eyes on and you'll not even bat an eyelid. This will be because the bio-currents will cut out this feeling" (2a).
         ♦ "Борода-то у вас настоящая?" - спросила Таня. "Можете дёрнуть", - улыбнулся Востоков. Она с удовольствием дёрнула. Востоков даже и глазом не повёл (Аксёнов 7). "Is your beard real?" "You may pull it, if you like," Vostokov said, smiling. She gave it a good, stiff tug. Vostokov did not blink an eye (7a).
         ♦ "Привьет [used in place of the correct form привет to show a German accent], Марья Николаевна!" - огибая её, почтительно поклонился Штабель... Та и ухом не повела, продолжая одной ей ведомый разговор с самой собою (Максимов 3). Stabel bowed and spoke as he went around her. "How do you do, Maria Nikolaevna?..." She didn't turn a hair but continued her private conversation with herself (3a).
         ♦ Ардабьев вскочил с песка и вдруг закричал на весь берег, торжествующе размахивая руками: "Ар-да-би-о-ла!"... А рыбак с безнадёжной удочкой и ухом не повёл( Евтушенко 1). Ardabiev leapt up from the sand and suddenly shouted out to all the canalside, triumphantly waving his arms: "Ar-da-bio-la!"...But the fisherman with his despondent fishing-rod did not even seem to hear (1a).

    Большой русско-английский фразеологический словарь > глазом не повел

  • 19 и бровью не ведет

    • (И) БРОВЬЮ <ГЛАЗОМ, УХОМ, НОСОМ, УСОМ> НЕ ВЕДЕТ/НЕ ПОВЕЛ; (И) БРОВЬЮ НЕ ШЕВЕЛЬНУЛall coll
    [VP; subj: human; more often pfv past; usu. this WO]
    =====
    ⇒ s.o. does not outwardly react to sth., does not display his emotions toward sth. said or done in his presence:
    - X и бровью не повёл≈ X didn't bat < blink> an eye < an eyelid>;
    - [in limited contexts] X didn't (even) seem to hear;
    - X didn't show a flicker of interest.
         ♦ "Покажи тебе самую что ни есть раскрасавицу - ты даже глазом не поведешь. Потому что биотоки отрицательные подключат" (Айтматов 2). "You could be shown the most ravishing creature you've ever set eyes on and you'll not even bat an eyelid. This will be because the bio-currents will cut out this feeling" (2a).
         ♦ "Борода-то у вас настоящая?" - спросила Таня. "Можете дёрнуть", - улыбнулся Востоков. Она с удовольствием дёрнула. Востоков даже и глазом не повёл (Аксёнов 7). "Is your beard real?" "You may pull it, if you like," Vostokov said, smiling. She gave it a good, stiff tug. Vostokov did not blink an eye (7a).
         ♦ "Привьет [used in place of the correct form привет to show a German accent], Марья Николаевна!" - огибая её, почтительно поклонился Штабель... Та и ухом не повела, продолжая одной ей ведомый разговор с самой собою (Максимов 3). Stabel bowed and spoke as he went around her. "How do you do, Maria Nikolaevna?..." She didn't turn a hair but continued her private conversation with herself (3a).
         ♦ Ардабьев вскочил с песка и вдруг закричал на весь берег, торжествующе размахивая руками: "Ар-да-би-о-ла!"... А рыбак с безнадёжной удочкой и ухом не повёл( Евтушенко 1). Ardabiev leapt up from the sand and suddenly shouted out to all the canalside, triumphantly waving his arms: "Ar-da-bio-la!"...But the fisherman with his despondent fishing-rod did not even seem to hear (1a).

    Большой русско-английский фразеологический словарь > и бровью не ведет

  • 20 и бровью не повел

    • (И) БРОВЬЮ <ГЛАЗОМ, УХОМ, НОСОМ, УСОМ> НЕ ВЕДЕТ/НЕ ПОВЕЛ; (И) БРОВЬЮ НЕ ШЕВЕЛЬНУЛall coll
    [VP; subj: human; more often pfv past; usu. this WO]
    =====
    ⇒ s.o. does not outwardly react to sth., does not display his emotions toward sth. said or done in his presence:
    - X и бровью не повёл≈ X didn't bat < blink> an eye < an eyelid>;
    - [in limited contexts] X didn't (even) seem to hear;
    - X didn't show a flicker of interest.
         ♦ "Покажи тебе самую что ни есть раскрасавицу - ты даже глазом не поведешь. Потому что биотоки отрицательные подключат" (Айтматов 2). "You could be shown the most ravishing creature you've ever set eyes on and you'll not even bat an eyelid. This will be because the bio-currents will cut out this feeling" (2a).
         ♦ "Борода-то у вас настоящая?" - спросила Таня. "Можете дёрнуть", - улыбнулся Востоков. Она с удовольствием дёрнула. Востоков даже и глазом не повёл (Аксёнов 7). "Is your beard real?" "You may pull it, if you like," Vostokov said, smiling. She gave it a good, stiff tug. Vostokov did not blink an eye (7a).
         ♦ "Привьет [used in place of the correct form привет to show a German accent], Марья Николаевна!" - огибая её, почтительно поклонился Штабель... Та и ухом не повела, продолжая одной ей ведомый разговор с самой собою (Максимов 3). Stabel bowed and spoke as he went around her. "How do you do, Maria Nikolaevna?..." She didn't turn a hair but continued her private conversation with herself (3a).
         ♦ Ардабьев вскочил с песка и вдруг закричал на весь берег, торжествующе размахивая руками: "Ар-да-би-о-ла!"... А рыбак с безнадёжной удочкой и ухом не повёл( Евтушенко 1). Ardabiev leapt up from the sand and suddenly shouted out to all the canalside, triumphantly waving his arms: "Ar-da-bio-la!"...But the fisherman with his despondent fishing-rod did not even seem to hear (1a).

    Большой русско-английский фразеологический словарь > и бровью не повел

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